You may have heard that bamboo silk rugs are hard to clean.  Bamboo silk is a lustrous fiber that is spun from the processed cellulose of the bamboo plant.  Bamboo is a fast growing grass, so it is rapidly renewable, and the yarn made from bamboo is soft and silky, yet it is significantly less expensive than real silk spun by silkworms.

Recently, a customer who had purchased a bamboo silk and wool rug from us called for a cleaning, because red wine had been spilled on the rug.  Upon bringing the rug back to the store, we observed that not only was wine splashed on the rug, but the rug was just generally soiled from the lounging of their beloved pet dog.  This rug really needed a good bath.

Of course, we were concerned.  Would this rug clean as well as an all wool rug?  We have only very recently started to sell bamboo silk rugs, and, while we were very well aware of the trend towards using this fiber for its softness, sheen, and renewability, we had heard the rumors that it could be hard to clean.  Never ones to shy away from a challenge, we got right to it.

Well, we are very pleased to write that the rug cleaned beautifully.  We would go so far as to write that the rug looked practically brand new after dusting and washing.

Seeing is believing.  Below are before and after pictures of the rug.  The darkest areas in the before pictures are where the wine spilled on the rug.  In the after pictures, all of the soil and the wine stains have been removed by our cleaning process.

Before:

Dirty Bamboo Silk Rug Before

Dirty Bamboo Silk Rug Before Close Up

 

After:

Clean Bamboo Silk Rug After 2

Clean Bamboo Silk Rug After 1

Based on our firsthand experience, we think it's safe to write that fear of cleanability should not deter a customer from enjoying the beauty and softness of a bamboo silk rug.  And when you purchase a hand-knotted rug like this one from Job Youshaei Rug Company, it's highly affordable, too.

Recently, I visited the Museum of Islamic Art in Doha, Qatar.  I was so inspired by the experience of seeing carpets from the “Golden Age” of weaving (16th and 17th Century) on display that I wanted to put together some information about the museum and its collection for the benefit of our customers.

Celebrated architect I.M. Pei came out of retirement to design the Museum of Islamic Art (MIA).  Pei is known for having designed, in collaboration with Wilmotte and Associates, the Louvre Pyramid in Paris (completed 1989).  The 91 year old Mr. Pei prepared for his work on the MIA project, by takinga 6 month research tour of the Islamic world, looking to inspire his designs through firsthand experiences of Islamic architecture, history, and art.

IM Pei

Over the last few years exciting news has been plentiful in the realm of rare and antique carpet auctions: 
 

June 2008:  The Doris Duke Silk Isfahan set a record when it sold for $4.45 million

March 2009:  The Pearl Carpet of Baroda set a new record when it sold for $5.46 million

April 2010:  The Comtesse de Behague Persian “Vase” Carpet sold for $9.4 million - almost as much as both prior records setters combined

Now, practically five years to the day after the Doris Duke Silk Isfahan set that first record, the outstanding Clark Sickle Leaf Carpet has blown them all away!

On the morning of June 5th, just this past week, the Clark Sickle Leaf Carpet sold for almost five times the high estimated price of $7 million placed on it by Sotheby’s.  The final value:  a mind-blowing $33,765,000.00 (including buyer’s premium). 

Corcoran Clark Sickle Leaf Carpet reducedThe Clark Sickle Leaf Carpet is 6’5” x 8’9” and dates back to the first half of the 17th Century.  It was likely woven during the reign of Shah Abbas I (r. 1587-1629) during an era when carpet weaving as an art form was at its pinnacle and the export of carpets for purchase and use by wealthy Europeans gained importance in the market.  The carpet, although it does not depict a vase or vases in its design, is known as a “Vase” carpet, because it is included in a group of carpets all made using the same weaving technique, some of which do depict vases between the motifs of curving vines and leaves.  “Vase” carpets are attributed to the 16th and 17th centuries, and the prior record setting Comtesse de Behague carpet, which also had a motif of curving vines and leaves with “serrated” edges, was part of this group.  Both the Clark and de Behague carpets are believed to have been knotted in Kerman, Iran, which had a reputation for producing very high quality carpets dating back to at least the 15th century.  Kerman not only had a readily available supply of fine, lustrous wool at the time, but the city was also known to have organized weaving workshops where rugs with extraordinarily beautiful and artistic designs were being made.

The Clark Sickle Leaf Carpet was donated to the Corcoran Gallery in Washington, D.C. after the death of its owner William A. Clark (January 8, 1839 – March 2, 1925), an extremely wealthy politician, investor, and copper mining baron.  Mr. Clark frequently travelled to France, and he purchased the rug from a dealer on one of many trips to Paris.  The Corcoran Gallery put this rug up for auction as part of a collection of Mr. Clark’s rugs, all of which were sold.

Here is a description of the auction results from Sotheby’s website, and the details are quite remarkable:

This sale of Important Carpets from the William A. Clark Collection Sold by the Corcoran Gallery of Art to Benefit Future Acquisitions brought an impressive total of $43,764,750, over four times the pre-sale high estimate of $9.6 million, making it the most successful carpet auction ever held. The sale of 25 carpets was 100% sold, achieving “White Glove” status, and with every single lot achieving a price above its pre-sale high estimate. At least four bidders fought for over 10 minutes for the star lot, the important and revered 17th century Clark Sickle-Leaf Carpet, which sold for an astounding price of $33,765,000 (est. $5/7 million), a new world auction record for any carpet by a significant margin. That price also establishes a new benchmark for any Islamic work of art at auction.

The winning bidder currently remains anonymous.  International interest in Middle Eastern art is growing with the focus on carpets made during what has come to be known as the “Golden Age” of weaving, so it is possible that the purchaser is a new museum or gallery in the process of developing or expanding its collection.

 (Photo Courtesy of Sotheby's)